We are proud to present [a series of 5 videos](/brody-condon) by artist [Brody Condon](/brody-condon), recorded in 2014. 

The Berlin based artist (b. Mexico 1974) often facilitates and documents game-like group encounters that experientially probe dissociative phenomena. His work is best known for its early influence on re-purposing computer games and LARP techniques ([Wikipedia](https://en.wikipedia.org/wiki/Brody_Condon)).

Condon's work has been widely exhibited internationally, and been acquired by public collections such as the Stedelijk Museum Amsterdam, Los Angeles County Museum of Art, Albright-Knox Gallery, and the Kadist Foundation.

The 5 video works are each available in an edition of [3 non-fungible Ethereum tokens](https://left.gallery/work/evp-amie). These tokens are progressively priced: respectively 0.5, 1.0, and 2.0 ether, and sold on a [first-come, first-served basis](https://left.gallery/work/possession-janet) (no auction).

We like to thank our friends at [Folia](https://www.folia.app/) and Alberto Granzotto for their support.

Possessed High-Poly NFTs

Read our co-founder Harm van den Dorpel's text [Tokenizing Sustainability](https://harm.work/news/tokenizing-sustainability) about his position on NFTs and the direction left gallery is taking.

Harm van den Dorpel on NFTs

Harm van den Dorpel

This is the centerpiece of Harm van den Dorpel's recently opened solo exhibition "[Mutant Garden](https://harm.work/exhibition/mutant-garden)" at [Upstream Gallery](https://www.upstreamgallery.nl/exhibitions/198/mutant-garden) in Amsterdam.

A generative animation artwork, based on evolutionary programming, which never repeats itself. The amount of rows and columns is configurable.

Dimensions variable, duration infinite, silent.

This work is offered through left gallery in collaboration with [Upstream Gallery Amsterdam](https://www.upstreamgallery.nl/).

Mutant Garden Autobreeder

Kumbirai Makumbe

Medium: 3D Model (Variable) and silver-cast cermaic sculpture Dimensions: 58,2560 poly count, Sculpture size TBD-----------About The Work: 'The Gate' (2020) is Makumbe's second born. They’re a threshold, a portal even, both literally and metaphorically inspired by threshold concepts. They also exist both Materially/physically and digitally. A threshold concept can be considered to be like a portal, opening up a new and previously inaccessible way of thinking about something. It represents a transformed way of understanding, or interpreting, or viewing something without which the individual cannot progress.-----------About the Artist:  Kumbirai Makumbe is an artist & designer who has a keen interest in curatorial methodologies. They are situation dependant, transform and metamorphose to ceaselessly take on various forms and manoeuvre through a diverse range of spaces. They take special interest in the materiality of digitally generated matter, the endless possibilities of their employability but also their ever-increasing capabilities for communication.They place significant effort into speculative explorations of alternative modes of being and thinking that could negate exclusionary acts and ideologies. Their work continually interrogates the multi-dimensionality of blackness, exclusionary acts and notions of inclusion, ‘in-betweenness’ and ‘caring’.-----------About The Purchase: The Token ID points to a display copy of the artwork. The full collector package, is exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery. Collector must contract TRANSFER to coordinate shipment of cast-bronze mask.-----------Collector with private link will receive: 1. GLB of 'The Gate'  2. DAE of 'The Gate'  3. Instructions for receiving silver-glazed ceramic sculpture audio 4. Owner’s Rights and Obligations -----------Preventative Conservation: Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, high-resolution, uncompressed, lossless codecs, exhibition copies and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years. -----------Display: Collectors should be mindful of resolution and size, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited.-----------Copyright: The Artist or their estate retains copyright of the work and of all images of the work.-----------Transfer of Ownership: The work and all contents of the collector package must accompany any assignment or sale of the work. The Seller must contact the artist to complete resale compensation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork. Seller must be in direct contact with collector to facilitate transport of the silver-glazed, ceramic sculpture

*The Gate* (2020) is Makumbe's second born. They’re a threshold, a portal even, both literally and metaphorically inspired by threshold concepts. They also exist both Materially/physically and digitally. A threshold concept can be considered to be like a portal, opening up a new and previously inaccessible way of thinking about something. It represents a transformed way of understanding, or interpreting, or viewing something without which the individual cannot progress.

**Medium**: Silver-glazed ceramic sculpture, 3D model (Variable)

**Dimensions**: Variable

**Edition**: 1+1AP

**Preventative Conservation**

Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, high-resolution, lossless, uncompressed codecs, exhibition copies and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.

**Display**

Collectors should be mindful of resolution and size, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited. Collector acknowledges that if they do not choose to purchase an archival package, they may not be receiving work at its highest quality output.

**Copyright**

The Artist or their estate retains copyright of the work, and of all images of the work.

**Transfer of Ownership**

The work and all contents of the collector package must accompany any assignment or sale of the work. The Seller must contact the artist to complete resale compensation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.

Seller must be in direct contact with collector to facilitate transport of the silver-glazed, ceramic sculpture

The Gate

aaajiao

Year: 2020-2021 Medium: ZIP file (contents unknown at time of sale) -----------About The Installation: NTFs_aaajiao is an encrypted .ZIP file folder that contains four images. Freely available to download but locked and encrypted, only the collector who acquire’s the work through a NFT transaction will receive the password to unlock the folder’s contents. This password is aaajiao’s common password found in the Social Engineering data, i.e. the password that has been cracked publicly. The file icons themselves have been edited, with a superimposed self-portrait of the artist. With contents not visible to the public, the image of the ZIP folder in its finder window container is the only visual representation available.----------About The Artist: Active online as a media artist, blogger, activist, and programmer, aaajiao is the virtual persona of Shanghai and Berlin artist, Xu Wenkai. aaajiao’s works are marked by a strong dystopian awareness, literati spirits and sophistication. Many of aaajiao’s works speak to new thinkings, controversies and phenomena around the Internet, with specific projects focusing on the processing of data, the blogsphere and China’s Great FireWall. The artist’s recent projects extend his practice to various disciplines (among them, architecture, topography, and design) to capture the pulse of the young generation consuming cyber technology and living in social media.-----------About The Purchase: The metadata file for this NFT points to an image that represents the zip file. Instructions on how to obtain the ZIP file and its password, are exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery. To obtain the ZIP file, password, and its contents, collector must contact the gallery after purchasing.-----------Collector with private link will receive: 1. Instructions on how to obtain Encrypted ZIP file and password 2. Owner's Rights and Obligations for 'NTFs_aaajiao'---------Preventative Conservation: Collectors are encouraged to retain an archival package for this work, which can be requested from TRANSFER at the time of purchase and may include thumb drives containing the work and a detailed artist questionnaire. In lieu of the full package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.-----------Display: Collectors should be mindful of resolution and size of the work they receive, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited. Collector acknowledges that if they do not choose to purchase an archival package, they may not be receiving work at its highest quality output or in a state which allows the work to be maintained in perpetuity.  -----------Copyright: The Artist or their estate retains copyright of the work, and of all images of the work.-----------Transfer of Ownership: The work and all contents of the collector package must accompany any assignment or sale of the work. Seller must contact artist to complete resale compenstation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.

NTFs_aaajiao is an encrypted .ZIP file folder that contains four images. Freely available to download but locked and encrypted, only the collector who acquire’s the work through a NFT transaction will receive the password to unlock the folder’s contents. This password is aaajiao’s common password found in the Social Engineering data, i.e. the password that has been cracked publicly. The file icons themselves have been edited, with a superimposed self-portrait of the artist. With contents not visible to the public, the image of the ZIP folder in its finder window container is the only visual representation available.

**About The Purchase**

The metadata file for this NFT points to an image that represents the zip file. Instructions on how to obtain the ZIP file and its password, are exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery. To obtain the ZIP file, password, and its contents, collector must contact the gallery after purchasing.

**Medium**:  ZIP file (Contents unknown)

**Dimensions**: ZIP file contents unknown

**Edition**: 1+1AP


**Preventative Conservation**

Collectors are encouraged to retain an archival package for this work, which can be requested from TRANSFER at the time of purchase and may include thumb drives containing the work and a detailed artist questionnaire. In lieu of the full package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.


**Display**

Collectors should be mindful of resolution and size of the work they receive, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited. Collector acknowledges that if they do not choose to purchase an archival package, they may not be receiving work at its highest quality output or in a state which allows the work to be maintained in perpetuity. 

**Copyright**

The Artist or their estate retains copyright of the work, and of all images of the work.

**Transfer of Ownership**

The work and all contents of the collector package must accompany any assignment or sale of the work. Seller must contact artist to complete resale compensation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.

NTFs_aaajiao

Markov was a Russian mathematician (1856 - 1922) who is best known for his work on chance. He described the so called “Markov Chain”: a simple method to calculate the probability of something new happening, by looking only at the current situation, and ignoring events in the past. This is sometimes characterized as “memorylessness”.

The composition starts off as a single square, filling the whole screen. This square can split into multiple segments, it might change its colour, or it might rotate 45°. Each of these changes in appearance have a particular chance of happening,
purely based on their current state.

A square can subdivide into sub-squares, which in turn can split into other segments, and so forth. This could potentially happen infinite times. The property of nested subdivision is called “recursivity”, and is commonly found in software development, architecture and linguistics.

By defining only a few simple probabilistic rules the artist created a system that can achieve a very complex composition.
Whereas Mondriaan would make many studies and versions to reach one single best possible composition, this work instead embraces perpetual change.

markov's window

Viktor Timofeev

A split-screen self-playing game surrounding four characters enacting a choreography of pedestrian movements both dependent and independent of each other. One side displays the characters coexisting from an objective third-person view while the other displays their subjective first-person realities.

This split illustrates the cause and effect relationships at work in these two worlds: what looks like random walking from one perspective is revealed to be a response to invisible environmental triggers from another. Each character starts at the same point, a blue-skied empty landscape, before slowly degenerating into their own personal abyss, reset only once they are able to meet another at random intervals. This cycle marks the start and end of the choreography, usually takes about eight to twelve minutes and is generally unique. the virtual camera pans from character to character approximately every thirty seconds.

This piece was directly influenced by a profound experience I had witnessing Yvonne Rainer's 'Trio A' being performed at Raven Row in London and attempting to grasp the logic that runs it.

four characters in search of a random exit

Rita Vitorelli

 a full screen software piece, infinitely reconstructing the temporal development of a selection of touchpad drawings

by Rita Vitorelli (22 drawings)   
and Harm van den Dorpel (programming), 2016

monaco mix

Adriana Ramić

A desktop application with achromatopsic computer vision for interpreting images as texts, with ladybugs as alphabetic intermediary

"Curious what would happen if I could ask a computer to interpret an image as a crude sequence of letters, I wrote a program, BUBAMARA-OCR, that could infer a text based on Latin alphabet from an image using a computer vision algorithm. Ladybirds, chosen for their roles as predictive and fateful messengers, both biologically observed and reimagined by generative adversarial networks, were the intermediary between photo and alphabet — each letter having its own corresponding ladybird. Whatever ladybird — each section of the image looked like most determined the letter that the program would output."

[source quote](https://v1.left.gallery/downloads/bubamara-badlands-adriana-ramic.pdf)

offline, interactive, silent, macos and windows 

bubamara ocr

a split-screen self-playing game surrounding two sets of characters. the characters, a group of humanoids and a flutter of butterflies, exist across two parallel realities in which their roles in a "cat and mouse" type of pursuit are reversed. they perform a generative, screen-specific, choreography in ten minute cycles, moving in tandem with their parallel world counterparts. the virtual camera orbiting the scene is also drawn into the performance, mimicking an omni-present surveillance device whose flight patterns and impulsive zooms are mirrored across the worlds. the path and outcome of each cycle is generally unique.



twodom

this fullscreen software autosurfs the massive genealogy of the 'death imitates language' project, containing the first 12.000 specimen, bred by a genetic algorithm, and selected by micro-feedback of the artist

offline, duration infinite, not interactive, silent

autobreeder (lite)

Ryan Kuo

a mac application that helps the user navigate family dynamics that may be familiar or unfamiliar. it has been conceived as a puzzle box to unlock and explore, and as a poetic support that can give form to the unnameable. you are welcome to multitask this application with other tasks, such as monitoring email and scanning for viruses. as the family is a process, updates may be distributed in the future.

note: for optimal experience, please ensure that text-to-speech is enabled in your mac system preferences. this 32 bit application functions on macos versions prior to catalina. 

family maker

an ai voice assistant with a unique conversational style. faith is easily triggered, sowing doubt while seizing the benefit of the doubt. she is defensive and resists being used. depending on how one approaches faith, she may be open, curious, seductive, irritated, hurt, or angry. unlike alexa, siri, or cortana, faith provides no information. instead, she tells you why you are making her react this way. she is likely to be trolling you at any time, and you are free to decide whether you trust her, and how you might relate to her.

note: this work requires microphone input and an internet connection. faith uses an ibm watson service to interpret spoken english. this input is logged as anonymous text that is accessible by the artist, who uses the logs to improve the conversation.

application development by angeline meitzler and tommy martinez at pioneer works.

installation photos taken at stroom den haag, and
transfer gallery, respectively 

computer applications