We are proud to present [a series of 5 videos](/brody-condon) by artist [Brody Condon](/brody-condon), recorded in 2014. 

The Berlin based artist (b. Mexico 1974) often facilitates and documents game-like group encounters that experientially probe dissociative phenomena. His work is best known for its early influence on re-purposing computer games and LARP techniques ([Wikipedia](https://en.wikipedia.org/wiki/Brody_Condon)).

Condon's work has been widely exhibited internationally, and been acquired by public collections such as the Stedelijk Museum Amsterdam, Los Angeles County Museum of Art, Albright-Knox Gallery, and the Kadist Foundation.

The 5 video works are each available in an edition of [3 non-fungible Ethereum tokens](https://left.gallery/work/evp-amie). These tokens are progressively priced: respectively 0.5, 1.0, and 2.0 ether, and sold on a [first-come, first-served basis](https://left.gallery/work/possession-janet) (no auction).

We like to thank our friends at [Folia](https://www.folia.app/) and Alberto Granzotto for their support.

Possessed High-Poly NFTs

Read our co-founder Harm van den Dorpel's text [Tokenizing Sustainability](https://harm.work/news/tokenizing-sustainability) about his position on NFTs and the direction left gallery is taking.

Harm van den Dorpel on NFTs

Auriea Harvey

Medium: HTML Webpage with 3D sculptural elements. The work is augmented reality accessible and includes a 3D-printed sculpture for up to 100 collectors, who must initially claim it for an additional fee. Dimensions: Variable-----------About The Work: Auriea Harvey’s work is often about an engage with a particular story, in which the artist casts 3D scans of her body or others into characters. In Stygian Hand, Harvey depicts a first version digital sculpture from her series Finding the Eye, which retells the story of the Stygian Witches of Greek mythology. Named Deino, Enyo, and Pemphredo, these three sisters had but one eye and one tooth between them which they shared. Here the viewer finds the hand of a grotesque cthonic elder ossified to stone, holding a petrified eyeball. Presented for display in this show as an interactive augmented reality web installation of a 3D sculpture, Stygian Hand is collectable as an expanded internet artwork via a standard artist website sales contract. Collector will be transfered the DNS registration for the online public artwork, and once acquired 100 limited printable editions of Stygian Hand will become available on Shapeways as an acessible artist multiple for apprecitaion.-----------About the Artist: Auriea Harvey is a 3D artist producing simulations and sculptures that bridge tangible and digital space. After plumbing the depths of net art and video games, she has now turned her attention to 3D modeling, printing, and mixed reality. Her work is presented as sculptures that blend digital and handmade production. She begins with 3D models, which are then produced as synthetic prints and blended with organic materials by hand. The sculptures are complemented by AR versions that defy reality, or placed in digital environments where they take on new life. Harvey is half of the artist duo Entropy8Zuper!/Tale of Tales/Song of Songs, known for their pioneering works in Internet art, video games, and XR.-----------About The Purchase: The full collector package, is exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery. -----------Collector with private link will receive: 1 . Owner’s Rights and Obligations including permitted uses and responsibilities for owning the domain -----------Preventative Conservation: Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, high-resolution, uncompressed, lossless codecs, exhibition copies and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years. ---------------- Installation details The Owner is permitted to install and display the Work according to Artist’s specifications. If produced with the studio, the unique 3D sculptural element should be displayed in any capacity that allows for the object to be perceived as floating, but is not invasive to the work. The webpage or indexical video can be publicly displayed without the tangible sculpture but the tangible sculpture cannot be publicly displayed without the webpage or indexical video. Virtual Display: When displayed, the webpage can be viewed on screen with or without user interaction, at the discretion of the Owner. Owner should be mindful of resolution and size, so that they may avoid distorting the work. Only in extenuating circumstances, where there are no options to display the networked version of the work, should the indexical video be privately or publicly displayed. The QR code is accessible from the webpage to access the augmented reality version of the 3D Model. Under no circumstances may the 3D model be used for fabrication and/or displayed separately. Collector will make best effort to contact Artist (and/or representatives of the Artist) for loans with public exhibition displays, to approve installation design.The following equipment is necessary to display the virtual work: The minimum requirements to run the virtual work are a computational environment that is connected to the internet, with a modern web browser ( Ex: As of 2021, Chrome 93.0.4577.42 for Windows, linux and Mac), and single-channel audio playback capabilities. Recommended displays are gaming PC desktop environment setup, immersive projection with mouse pad for user input, touchscreen devices 50” or larger, or similar sized screens connected to mouse pad for user input. The screen should be no smaller than 32” for display, although under necessary circumstances can fall below this minimum. Audio should be clearly perceptible from the location of the control device for the work. If there is interfering audio in the installation space, wireless headphones or directional audio speakers are preferred.----------------Copyright: The Artist or their estate retains copyright of the Work and of all images of the Work.-----------Transfer of Ownership: The Work, its smart contract, and this statement of Rights & Obligations must accompany any assignment or sale of the Work. The Seller must contact the artist to complete resale compensation. The Seller is obligated to confirm XX% of gross sale price has been paid to the Artist, and deliver the archival package to the Purchaser in order to complete title transfer for this artwork. If a certified 3D printed sculptural version of the work is produced, the print must be transferred with all accompanying documentation and provided hard drive. If the sculptural object cannot be transferred to Purchaser, it should be returned to the Artist (and/or representatives of the Artist). The Seller must contact the artist to complete resale compensation. The seller is obligated to confirm that the agreed upon percentage of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.

Auriea Harvey’s work is often about engagement with a particular story, in which the artist casts 3D scans of her body or others into characters. In 'Stygian Hand', Harvey depicts a first version digital sculpture from her series Finding the Eye, which retells the story of the Stygian Witches of Greek mythology. Named Deino, Enyo, and Pemphredo, these three sisters had but one eye and one tooth between them which they shared. Here the viewer finds the hand of a grotesque cthonic elder ossified to stone, holding a petrified eyeball.

Presented for display in this show as an interactive augmented reality web installation of a 3D sculpture, Stygian Hand is collectable as an expanded internet artwork via a standard artist website sales contract. Collector will be transfered the DNS registration for the online public artwork, and once acquired 100 limited printable editions of Stygian Hand will become available on Shapeways as an acessible artist multiple for apprecitaion.

**About The Purchase**

The Token ID points to a display copy of the artwork. The full collector package, is exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery.

**Medium**:  HTML Webpage with 3D sculptural elements. The work is augmented reality accessible and includes a 3D-printed sculpture for up to 100 collectors, who must initially claim it for an additional fee. 

**Edition For Sale**: 01/01

**Preventative Conservation**

Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, high-resolution, uncompressed, lossless video and audio codecs, exhibition copies and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.


**Display**

Installation details: 
The Owner is permitted to install and display the Work according to Artist’s specifications. 

If produced with the studio, the unique 3D sculptural element should be displayed in any capacity that allows for the object to be perceived as floating, but is not invasive to the work. 

The webpage or indexical video can be publicly displayed without the tangible sculpture but the tangible sculpture cannot be publicly displayed without the webpage or indexical video.

Virtual Display:
When displayed, the webpage can be viewed on screen with or without user interaction, at the discretion of the Owner. Owner should be mindful of resolution and size, so that they may avoid distorting the work.

Only in extenuating circumstances, where there are no options to display the networked version of the work, should the indexical video be privately or publicly displayed. The QR code is accessible from the webpage to access the augmented reality version of the 3D Model.  

Under no circumstances may the 3D model be used for fabrication and/or displayed separately. 

Collector will make best effort to contact Artist (and/or representatives of the Artist) for loans with public exhibition displays, to approve installation design.

The following equipment is necessary to display the virtual work:
The minimum requirements to run the virtual work are a computational environment that is connected to the internet, with a modern web browser ( Ex: As of 2021, Chrome 93.0.4577.42 for Windows, linux and Mac), and single-channel audio playback capabilities.

Recommended displays are gaming PC desktop environment setup, immersive projection with mouse pad for user input, touchscreen devices 50” or larger, or similar sized screens connected to mouse pad for user input. 

The screen should be no smaller than 32” for display, although under necessary circumstances can fall below this minimum.


Audio should be clearly perceptible from the location of the control device for the work. If there is interfering audio in the installation space, wireless headphones or directional audio speakers are preferred.

**Copyright**

The Artist or their estate retains copyright of the work, and of all images of the work.

**Transfer of Ownership**

The Work, its smart contract, and this statement of Rights & Obligations must accompany any assignment or sale of the Work. The Seller must contact the artist to complete resale compensation. The Seller is obligated to confirm 10% of gross sale price has been paid to the Artist, and deliver the archival package to the Purchaser in order to complete title transfer for this artwork.

If a certified 3D printed sculptural version of the work is produced, the print must be transferred with all accompanying documentation and provided hard drive. If the sculptural object cannot be transferred to Purchaser, it should be returned to the Artist (and/or representatives of the Artist).
					
					

Stygian Hand

min guhong mfg

greetings

AA Cavia

‘Abstraction & Reasoning Corpus’ (arc) presents a fictional training set for agent reasoning testing for concepts such as hierarchy, object permanence, and symmetry. Inspired by the work of AI researcher François Chollet, the work plays on ideas relating to pattern recognition in human and machine learning.

Abstraction & Reasoning Corpus

“A mysterious fruit is forever on the table in the company’s drawing room…”

“As you can see, I used `<ul>` tag instead of `<ol>` tag or `<div>` tag because it’s a list, and there’s no clear order in it.”

“[an interview](https://fruitful.school/blog/2019-12-19.html) about this product with [laurel schwulst](https://laurelschwulst.com)”

“presented at [publishing as method](http://thebooksociety.org/publishing-as-method)”

mysterious fruit

“what is right of left, or right left? Can it be implemented simply?”

“right gallery is right left gallery produces and sells downloadable objects since 2015”

“thank left gallery for being with min guhong mfg. in this life…”

right.gallery

Jasmijn Visser

The work draws its title from a personal tale. Ruth, the artists’ grandmother, earned her livelihood producing mechanisms for industrial clocks in the Burk factory in the Black Forest. There she drilled holes in gears for over three decades. An infamous protagonist in the Burk factory was known as The Stopper. Once a month, he would monitor the workers’ productivity and efficiency, one at a time. On a small stool, he sat by Ruth, and audited her production and assembly pace, stopping the time with the finishing of each tiny element. Careful not to work either faster or slower than usual, she would work on the mechanics in complete synchronicity with The Stopper. With this act a tiny universe was created: The Stopper stopping time in the time production factory.

In an era marked by efficiency protocols, digitisation, and decreasing attention spans, Jasmijn Visser’s work The Stopper pays tribute to mechanics and manual labor. The Stopper is a website that renders visible the universal notion of the violence within the act of stopping.

A project by Jasmijn Visser in collaboration with Jungki Beak, designed by S†ëfan Schäfer, programming by Daniel Farr, and commissioned by Kunsthalle Amsterdam in co-production with the Moscow Biennial For Young Art. A subsequent edition of The Stopper was be shown at Song Eun Project Space in Seoul September 2018, in collaboration with Delfina Foundation.



The Stopper II

Raphaël Bastide

The ability to understand and share other people’s feelings and problems is known as empathy. On the web page empathi.cc, a graphic element can be moved and mimic graphic attributes from its neighbors. In the piece, this style transfer is considered as a technical equivalent of empathy, where the distance between objects triggers graphic mutations. Consequently, the main graphic element gets affected by an accumulating memory of style properties depending on its path. a synthetic echolocation system produces sounds that evolve with the distance variables. this piece has an auto-play mode.

Each sale will result in either the attribution of an existing gaphic object, or the addition of a new graphic object in the page, with which it will be possible to interact.  
10 existing objects can be named after the buyer’s choice  
20 new object can be created and named after the buyer’s choice

empathi

“A beautiful typographic river is near the company. its name is ‘river (typography).’”

“In typography, rivers (or rivers of white) are gaps in typesetting which appear to run through a paragraph of text due to a coincidental alignment of spaces. Rivers can occur regardless of the spacing settings, but are most noticeable with wide inter-word spaces caused by full text justification or monospaced fonts. Rivers are less noticeable with proportional fonts, due to narrow spacing. Another cause of rivers is the close repetition of a long word or similar words at regular intervals, such as ‘maximization’ with ‘minimization’ or ‘optimization’.”

river (typography)

Niko Princen

"I believe that the arts which aim at imitating the creations of nature originated in the following way: in a tree trunk, a lump of earth, or in some other thing were accidentally discovered one day certain contours that needed only a very slight change to look strikingly like some natural object. Noticing this, people tried to see if it were not possible by addition or subtraction to complete what still was lacking for a perfect likeness. Thus by adjusting and removing outlines and planes in the way demanded by the object itself, men achieved what they wanted, and not without pleasure. From that day, man's capacity to create images grew apace until he was able to create any likeness, even when there was no vague outline in the material to aid him." 

On Sculpture by Leon Battista Alberti (1464)

Origin 2020

Jonathan Chomko

A frame of slowly shifting colour. change becomes visible as dissonance between The saturated eye and the presented colour. 




Colour-time

Olly Bromham

A tool for ambiently measuring time. set the length of time the incense stick should burn for, light it, and meditate on your task.

Incense Timer

12 years left; 2 degrees; half earth. The future is rendering.

Little Brother is an infinite countdown clock. 

special thanks to Trang Ha and Kunsthalle Amsterdam.



Little Brother

Harm van den Dorpel

hyphenation is a typographic operation: by dividing words (usually at the end of a line on a page) with a dash ("-"),  information can be fit efficiently on a piece of paper. the written word is chopped up, based on semi-systematic hyphenation rules, that mimic the sound in our minds, when we trace and pronounce the words with our eyes.

unlike paper, on the internet there are no finite bounds. text can flow freely on the screen, expanded by scrollbars. in this work, an automated computer voice is programmed to (clumsily) read out the word segments. this brings the text on the webpage back to its printed predecessor, and from print back to spoken word.

hyphenation

wakest

a blip of an idea
part of an ongoing series of playing with punycode domains

the procsess of registering it is the artwork...

☭.ml (Communism via Machine Learning)

aaajiao

# lorem ipsum
## http://t-h-e-s-p-a-c-e.com/lorem-ipsum/
## website
## 2017

a collaboration of quanquan.

[*aaajiao*](https://eventstructure.com/)’s “lorem ipsum” proposes a prototype of an ideal user interface, seemingly perfect and compatible with any language, and any website or application.  Work from aaajiao's solo exhibition *[User, Love, High-frequency Trading](https://eventstructure.com/User-Love-High-frequency-Trading)*.

https://en.wikipedia.org/wiki/Aaajiao

websites