Jasmijn visser

12 years left; 2 degrees; half earth. The future is rendering.

Little brother is an infinite countdown clock. 

special thanks to Trang ha and Kunsthalle amsterdam.



Little Brother

niko princen

"I believe that the arts which aim at imitating the creations of nature originated in the following way: in a tree trunk, a lump of earth, or in some other thing were accidentally discovered one day certain contours that needed only a very slight change to look strikingly like some natural object. Noticing this, people tried to see if it were not possible by addition or subtraction to complete what still was lacking for a perfect likeness. Thus by adjusting and removing outlines and planes in the way demanded by the object itself, men achieved what they wanted, and not without pleasure. From that day, man's capacity to create images grew apace until he was able to create any likeness, even when there was no vague outline in the material to aid him." 

On Sculpture by Leon Battista Alberti (1464)

Origin 2020

jonathan chomko

A frame of slowly shifting colour. change becomes visible as dissonance between The saturated eye and the presented colour. 




Colour-time

harm van den dorpel

This artwork uses an algorithm called 'Cartesian genetic programming', as proposed by Julian F. Miller and Peter Thomson, approximately twenty years ago. It is called ‘Cartesian’ because it represents a program using a two-dimensional grid of nodes. By its nature, its genetic encoding contains many redundant genes, which are well known to assist in effective evolutionary development.

In Mutant Garden, clicking one rectangular 'mutant' will cause its siblings to be replaced with newly mutated offspring. This breeding strategy requires only one parent to be selected because the algorithm is the most effective when mutation, rather than cross-over, is applied.

As many people nowadays equate articial intelligence with neural networks, the artist wants to highlight other moments in this recent history of computation, approaching it as algorithmic archeology. Each new innovation in this lineage aimed to improve or render its predecessor obsolete, yet would simultaneously stand on its shoulders.

In hindsight, this work can be regarded the fifth installment of the artist's chronological inquiry into the history of computation, preceded by Markov's Window (2004), Death Imitates Language (2015), Algues Artificielles (2017), and Nested Exchange (2018).

mutant garden

hyphenation is a typographic operation: by dividing words (usually at the end of a line on a page) with a dash ("-"),  information can be fit efficiently on a piece of paper. the written word is chopped up, based on semi-systematic hyphenation rules, that mimic the sound in our minds, when we trace and pronounce the words with our eyes.

unlike paper, on the internet there are no finite bounds. text can flow freely on the screen, expanded by scrollbars. in this work, an automated computer voice is programmed to (clumsily) read out the word segments. this brings the text on the webpage back to its printed predecessor, and from print back to spoken word.

hyphenation

wakest

a blip of an idea
part of an ongoing series of playing with punycode domains

the procsess of registering it is the artwork...

☭.ml (Communism via Machine Learning)

aaajiao

# lorem ipsum
## http://t-h-e-s-p-a-c-e.com/lorem-ipsum/
## website
## 2017

a collaboration of quanquan.

[*aaajiao*](https://eventstructure.com/)’s “lorem ipsum” proposes a prototype of an ideal user interface, seemingly perfect and compatible with any language, and any website or application.  Work from aaajiao's solo exhibition *[User, Love, High-frequency Trading](https://eventstructure.com/User-Love-High-frequency-Trading)*.

https://en.wikipedia.org/wiki/Aaajiao

Lorem Ipsum

ryan kuo

 the File is an ongoing process work rooted in (but not limited to) hypertext. you are invited to acquire a unique page of the File that provides access to the File, which will receive updates as long as the artist is alive. in addition to making the artist accessible, the File allows the user to file the file in the file.

this work is one of three works curated by nora khan 

websites