We are proud to present [a series of 5 videos](/brody-condon) by artist [Brody Condon](/brody-condon), recorded in 2014. 

The Berlin based artist (b. Mexico 1974) often facilitates and documents game-like group encounters that experientially probe dissociative phenomena. His work is best known for its early influence on re-purposing computer games and LARP techniques ([Wikipedia](https://en.wikipedia.org/wiki/Brody_Condon)).

Condon's work has been widely exhibited internationally, and been acquired by public collections such as the Stedelijk Museum Amsterdam, Los Angeles County Museum of Art, Albright-Knox Gallery, and the Kadist Foundation.

The 5 video works are each available in an edition of [3 non-fungible Ethereum tokens](https://left.gallery/work/evp-amie). These tokens are progressively priced: respectively 0.5, 1.0, and 2.0 ether, and sold on a [first-come, first-served basis](https://left.gallery/work/possession-janet) (no auction).

We like to thank our friends at [Folia](https://www.folia.app/) and Alberto Granzotto for their support.

Possessed High-Poly NFTs

Read our co-founder Harm van den Dorpel's text [Tokenizing Sustainability](https://harm.work/news/tokenizing-sustainability) about his position on NFTs and the direction left gallery is taking.

Harm van den Dorpel on NFTs

Wednesday Kim

Year: 2021 Medium: Singl-channel, born-digital video with audio Dimensions: 4000 x 5500 px, 29.970 fps, 00:00:03. -----------About The Installation: “The digital undertakers bathed and shrouded my memories. A destitute smell, sing a cryptic song together. The song was meant to be forgotten. We are pieces of companions of the distressed. The bear woman told me, "It was two cabbages having a terrible fight. They were tearing each other’s leaves off with such ferocity that soon there was nothing but torn leaves everywhere and no cabbages.” -Leonora Carrington. Then we started smelling. 'Cryptic Nostalgia and the Digital Undertakers' references the Korean origin fable of Ungnyeo to comment on the recent egregious violence and racism perpetrated against Asian women in the United States. As the tale goes, a tiger and a bear pray to divine king Hwanung to transform them into humans. Moved by their devotion, the divine king instructs them to go into a cave and stay out of sunlight for 100 days. While the tiger grows impatient and leaves prematurely, the bear (Ungnyeo) remains determined. After 100 days of seclusion in the cave, the bear transforms into a woman. All alone as a human and driven to a mad depression without a husband, the bear-woman prays beneath a sacred tree to be blessed with a child. Once again hearing her prayers, Hwanung takes Ungnyeo as his wife and, shortly thereafter bears a son who goes on to become the founder of the Korean nation. This folklore, mediated by Kim’s signature hyper-surrealist style, takes on new and sinister overtones through her dark reading of the Asian female in America. -----------About the Artist: Wednesday Kim  is an interdisciplinary artist and a co-founder of De:Formal Online Gallery. She is from Seoul, South Korea and is currently based out of California. Kim works with a mixture of analog and digital media including 3D animation, video, performance, installation, print, and sculpture. Her work is informed by personal experiences and human psychology, drawing upon wordplay, Wikipedia, voyeurism, and witticism. Kim derives surrealist imagery from nightmares, intrusive thoughts, and childhood trauma to portray the absurdity of information-saturated contemporary life. -----------About The Purchase:The Token ID points to a display copy of the artwork. The full collector package, is exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery.-----------Collector with private link will receive: 1. mp4 (h.264, AAC LC) of 'Cryptic Nostalgia and the Digital Undertakers' 2. Owner's Rights and Obligations for 'Cryptic Nostalgia and the Digital Undertakers'---------Preventative Conservation: Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, lossless, uncompressed, high resolution video and audio codecs, exhibition copies, and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.-----------Display: Collectors should be mindful of resolution and size, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited. Collector acknowledges that if they do not choose to purchase an archival package, they may not be receiving work at its highest quality output. -----------Copyright: The Artist or their estate retains copyright of the work, and of all images of the work.-----------Transfer of Ownership: The work and all contents of the collector package must accompany any assignment or sale of the work. Seller must contact artist to complete resale compenstation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.

“The digital undertakers bathed and shrouded my memories. A destitute smell, sing a cryptic song together. The song was meant to be forgotten. We are pieces of companions of the distressed. The bear woman told me, "It was two cabbages having a terrible fight. They were tearing each other’s leaves off with such ferocity that soon there was nothing but torn leaves everywhere and no cabbages.” -Leonora Carrington

Then we started smelling.

*Cryptic Nostalgia and the Digital Undertakers* references the Korean origin fable of Ungnyeo to comment on the recent egregious violence and racism perpetrated against Asian women in the United States. As the tale goes, a tiger and a bear pray to divine king Hwanung to transform them into humans. Moved by their devotion, the divine king instructs them to go into a cave and stay out of sunlight for 100 days. While the tiger grows impatient and leaves prematurely, the bear (Ungnyeo) remains determined. After 100 days of seclusion in the cave, the bear transforms into a woman. All alone as a human and driven to a mad depression without a husband, the bear-woman prays beneath a sacred tree to be blessed with a child. Once again hearing her prayers, Hwanung takes Ungnyeo as his wife and, shortly thereafter bears a son who goes on to become the founder of the Korean nation. This folklore, mediated by Kim’s signature hyper-surrealist style, takes on new and sinister overtones through her dark reading of the Asian female in America.

**About The Purchase**

The metadata file for this NFT points to a display copy of the artwork. The full collector package, is exclusively available through a private link that can only be transferred via the previous collector, TRANSFER, or left.gallery.

**Medium**:  Single channel, Looped, Born-digital video with audio

**Dimensions**: 4000 x 5500 px, 29.970 fps, 00:00:03

**Edition For Sale**: 01/01


**Preventative Conservation**

Collectors are encouraged to retain a full archival package for this work, which can be requested from TRANSFER at the time of purchase and may include: thumb drives containing the work, lossless, uncompressed, high resolution video and audio codecs, exhibition copies, and a certificate of authenticity signed by the artist. In lieu of the full archival package, collectors are encouraged to download and preserve the digital collector's package on at least two external hard drives of their choice, stored in two separate geographic locations. Files should be migrated to new external hard drives every 3-5 years.


**Display**

Collectors should be mindful of resolution and size, so that they may avoid distorting the work. Under no circumstances can the file(s) be edited. Collector acknowledges that if they do not choose to purchase an archival package, they may not be receiving work at its highest quality output. 

**Copyright**

The Artist or their estate retains copyright of the work, and of all images of the work.

**Transfer of Ownership**

The work and all contents of the collector package must accompany any assignment or sale of the work. Seller must contact artist to complete resale compensation. The seller is obligated to confirm 50% of gross sale price has been paid to the artist and deliver the full archival package to the purchaser in order to complete title transfer for this artwork.


Wednesday Kim

works 1