We are proud to present [a series of 5 videos](/brody-condon) by artist [Brody Condon](/brody-condon), recorded in 2014. 

The Berlin based artist (b. Mexico 1974) often facilitates and documents game-like group encounters that experientially probe dissociative phenomena. His work is best known for its early influence on re-purposing computer games and LARP techniques ([Wikipedia](https://en.wikipedia.org/wiki/Brody_Condon)).

Condon's work has been widely exhibited internationally, and been acquired by public collections such as the Stedelijk Museum Amsterdam, Los Angeles County Museum of Art, Albright-Knox Gallery, and the Kadist Foundation.

The 5 video works are each available in an edition of [3 non-fungible Ethereum tokens](https://left.gallery/work/evp-amie). These tokens are progressively priced: respectively 0.5, 1.0, and 2.0 ether, and sold on a [first-come, first-served basis](https://left.gallery/work/possession-janet) (no auction).

We like to thank our friends at [Folia](https://www.folia.app/) and Alberto Granzotto for their support.

Possessed High-Poly NFTs

Read our co-founder Harm van den Dorpel's text [Tokenizing Sustainability](https://harm.work/news/tokenizing-sustainability) about his position on NFTs and the direction left gallery is taking.

Harm van den Dorpel on NFTs

 the File is an ongoing process work rooted in (but not limited to) hypertext. you are invited to acquire a unique page of the File that provides access to the File, which will receive updates as long as the artist is alive. in addition to making the artist accessible, the File allows the user to file the file in the file.

this work is one of three works curated by nora khan 

file

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 In 1965, Bruno Munari designed a small black box — the austere 15-cm steel cube housed four aluminum cones, each painted half-red and half-green and set to spin at four distinct speeds on an 18-minute cycle to produce a very slowly turning composite color moving from red to green. Munari called it the Tetracono and its function was to show forms in the process of becoming:

> The art of the past has accustomed us to seeing nature as static: a sunset, a face, an apple, all static. People go to nature looking for images such as these static things, whereas an apple is in fact a moment in the process from apple-seed to tree, blossom, fruit. 

Tetracono was created as an artist multiple designed for industrial production and published by Danese Milano. But only 10 were ever made (an additional run of 100 was produced without motors). Few sold, and by commercial accounts, the product was a flop. Perhaps it was just ahead of its time.

50 years later, we’ve moved from the industrial production of objects to the post-industrial production of information. Tetracono was maybe already a post-industrial product — manufactured in steel and aluminum, its purpose was to produce a constantly changing image.

From a small black box to computer software, Tetracono is now available again as a Screensaver

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works 1

info